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From: Nicholas Urfe
Subject: {ASSM} Indigo 05 [Urfe] (Ff, gM, ff, voy)
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Date: Wed, 8 Dec 1999 20:10:00 -0500
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Indigo
by Nicholas Urfe
activities described herein: Ff, gM, ff, voy
5. A Resolution is broken--How to Begin--The Perils of Eating
in Bed--The Bawdyhouse of Memory--The Tower, and what
Came of it--A first Glimpse of a Strange Country--
Maids in the Garden, and a Bawdy Air--
I was born in the first year of the reign of the Child Queen, the
Glory Queen, the only viable offspring of the loins of old Charles III,
when all the world.
I was born somewhere in the alleys of Cydonia, the Great City,
shining on the hill, the Jewel in the Crown of our Empire, the Foul and
Choking Smoke, the Open Sewer, Cesspit-on-the-Slough, City of Jacks and
Gulls, in a time of great.
The woman who calls herself my mother has always maintained.
I was born.
I--
I have no idea where to begin.
This is the third attempt I have made at starting this account of
the story of my shadow life. The first lies in shreds beneath the bed,
there, where I ripped it with great, satisfying jerks. The second--
The second I began quite floridly. The last days of King Charles.
The Limehouse Butcher, terrorizing Sloughness and Limehouse and that
charming neighborhood known as My Lady's Hole. Rumors that Charles had
sired a by-blow somewhere in that squalid Hole; that the Butcher was,
in his own brutal way, working on behalf of the Royal Chamberlain to
remove from this sorry Earth said by-blow, and all who knew of her
existence-- Yes, "her"; for I then wove in all manner of hints and
innuendo that the Butcher failed in his task. For that by-blow was,
indeed, myself.
Royal birth, no matter how squalid. (Better to be a bastard than
have no father at all, eh?) A place in history, no matter how secret,
affecting events in the world, shaking the halls of the mighty, even
before I had been born--baptised in blood and thunder. Best of all, I'm
not spinning this tale from whole cloth. I first heard it from the lips
of Julien Haywirth, of, yes, the Harrowdale Haywirths; that courtier we
most uncharitably called "Donkey Boy" for his unbecoming habit of
unconsciously curling his upper lip beneath his nose, sniffling up the
last little crumbs of snuff invariably caught in his thin and ill-
advised mustache. It is, apparently, a popular speculation as to my
origins; Tenemus himself could do no better, I am certain. It is, the
load of it, poppycock; balderdash; a cheapshow with which to gull the
gullible. But it made for a most wonderful beginning --blood and
thunder, as I said, and what better way to make the gallery sit up and
take notice? But then Clarissa awoke with a sudden jerk, her legs
kicking beneath the coverlet, upsetting my writing-desk and tipping my
inkpot over, spilling ink across parchment, coverlet and maid.
(She stands at the foot of the bed, naked, her breasts swinging with
the effort of scrubbing the ink from her shoulder and back--a little
more heavy than I like, to tell the truth. Her legs are too short, as
well, with what one might call "powerful" ankles, were one feeling
charitable--and I am, this morning. Her mousey hair is mussed from her
restless sleep, from our--enthusiastic--lovemaking last night. --My
Clarissa is a lusty girl. I would never have imagined her powerful
thighs clamped tightly about my ears, her fingers almost shoving their
way inside me, in her frantic need to slake my desire. She is such a
meek and quiet thing, in her maid's uniform and cap. Then, she is of
peasant stock; coarse, earthy; unabashed, really, and I should
therefore perhaps not be quite so surprised by the relish with which
she attacked my fundament, fingers and tongue--hammer and tongs? --But
I am digressing, procrastinating, as you might well have noticed; no
matter how pleasingly sore my bottom may be this morning--and it is
pleasant, but it is sore--it has no real bearing on this story of my
life. Not, at any rate, the point of my life I'm trying to illuminate
this bright and sunny morning.
(She's just asked-- "What are you doing?"
("Writing," I said.
("What are you writing?" she asked.
("You," I answered.
(She grins. She blushes. "Naw," she says. "Really. What?")
Here I sit, then, in ratty old silk pants which cost more to
purchase and bring with me from Maliq than it would have taken to keep
me in a year of coneys and a Solstice goose, when first I scampered
about the Hole in a whore's cast-off chemise. My writing-desk is
teakwood, from the Outermost Isles. The pillows I rest upon are watered
silk, in what Mrs. Woolf assures me is the latest pattern; doubtless
she would be appalled at the tobacco burns, the crumbs of cheesed
crackers, the wine stain, there, the smear of rouge (Clarissa's--again,
the word is "enthusiastic"--joy upon discovering my old, unused palette
of cosmetics)--and now the puddle of ink, black, by my leg--
There was a point to all of that, I am certain.
I no longer have the stomach for floridity, I find. I cannot begin
again that spew of lies and rumors and half-truths; I am glad Clarissa
spoilt it with her sudden, precipitous shift in bed, no matter what
Mrs. Woolf will have to say on the subject. But it does leave me with a
dilemma: Where do I begin? My blood all leached away, my thunder
stolen...I do not know the exact date of my birth, where I was born; my
father a mystery to my mother--and I do not even know for certain
whether the woman who claims that office is telling the truth about her
place in my life; Lady knows she's lied enough about everything else.
Why not that?
I am left with the simple statement: I was born. Which is self-
evident: how else could I be writing this, here and now?
How to begin.
Well. It seems the answer is to look up after scratching that
fragment of a sentence, see Clarissa standing before the full-length
silvered mirror that leans precariously against my armoire, smoothing
her chemise as she turns one ankle, then the other, half-curtseying her
reflection coquettishly with wide eyes and a small smile; to then set
aside this--thing, this book, this mass of paper and ink masquerading
as a memoir, toss it all to the floor, parchment, pen, writing-desk,
pillows and all (though careful of the inkpot, to be sure, setting that
aside on the night-table first); to bound to the edge of the bed,
laughing, as she spins, alarmed; to sweep her into my arms, pressing
kisses to her face, her neck, as she ducked away, giggling, her arms
raised up, pressed to her breasts, her fists by her cheeks,
murmuring "No, oh ma'am, please, what" as I kissed her again and again,
and again, my momentum carrying us both against the wall with a thump
hard enough to knock the Maliqan temple painting which dominates my
bedroom from its hook, to bounce to the floor and lie flat (hard
enough, even, to shiver the mirror)--but no time to worry! She could
not move her arms, but she turned her head up, meeting my lips for a
quick kiss, but I had already dropped to my knees, spreading her
thighs, I knew what I wanted and I was not to be denied. Clarissa has a
tangle of dark hair enfolding her cunny, thick enough to grip with my
fingers, which I did, pulling her hips forward as I found her lips and
spread them with my tongue. My other hand squeezed her full buttocks;
they shivered at my touch, even as her chemise fell to tickle my
forehead, my eyelids. And I didn't care. She was excited, was Clarissa;
her tang was thick, her smell overwhelmed me, her heat palpable,
enflaming my tongue, my mouth; I kissed, I sucked, I gulped, I licked
up the loose skin of her lips, her nub, took them in my mouth and
sucked, flicking quick and light until I felt her quiver, then backed
off, licking long and hard from bottom to top and back again. She
moaned and cried, her hips bucked, pounding against the wall, smashing
my hand against the padded cloth, nearly shaking me loose, and I
grabbed her hard and held her still and ate her until she shrieked and
came and cried my name. The only time she ever calls me by my name is
when she comes.
So that is an answer to "How to begin," it seems. Find yourself a
willing girl and make her cry your name. I cannot wholly recommend it,
for, once done, once my blood was enflamed, there was nothing to do but
rip her chemise from her shoulders and drag it down her body until she
was once more naked, as her hands reached shaking for the ties to my
pants, undoing them and letting them fall. She came into my arms then,
and we kissed, pressing our naked bodies against each other, and her
mouth opened under mine, her breath hot on my lips. And though she is
short, and--speaking charitably--powerful; though her hair is mousey
and thin and not at all the golden splendor of my girls, my Eliza, my
Lucy; though she is too heavy in my hands, her mouth too eager, her
tongue thrusts into my mouth too quickly and too hard, there is no
teasing, no skill, no artistry--just enthusiasm, and that in plenty--
despite all this, she is alive, and warm, and here, an armful and more
of girl to kiss and lick. A girl's mouth to suck at my breast, both of
them, hard, fast, insistent, fingers to demand that my cunt open up for
them, rough and quick, a girl's thumb to squeeze my nub, spearing my
belly with pleasure and pain.
I gave as good as I got. I rolled her over on her back, grunting,
hissing as I drove my own fingers into her, one, two, then three,
slapping her thighs, her buttocks in my drive to saw faster, faster. My
free hand pinned her free hand above her head; our eyes locked, our
mouths set in sneers, grimaces; I used my weight to pin her, drive
myself further into her, even as she thrust herself up, digging her
heels into the rug to lever her hips in the air to meet mine. It was
rough and hard and frustrating, we moved too quickly, too harshly, we
were trying to overpower each other, to wrestle, not to fuck. I bruised
my thigh, burned my knee with rubbing it against the rug, knocked an
ankle against a bedpost, strained my wrist. She cried out under me as I
slammed into her again and again, and she struggled against the
strength of my grip, and tossed her head from side to side. But her
hips still rose to meet mine; her fingers slowed within me, but did not
still, and as her gentler ministrations began to take effect, I let the
langour climb inside me, until without noticing it we had begun to move
in concert, our thrusts meeting each other, our fingers churning less
frantically, but with a will, a rhythm, all their own. We stopped
fighting it. It was out of our control. Grunting; groaning; slapping
together, our bruises forgotten, moving together, our antagonism--
however joking--completely forgotten, without our even noticing its
passing. I came first, hard and fast, overwhelming, shuddering above
her, falling to catch my weight on my elbow, gasping for breath, sweat
dripping down my nose, my temple. She moaned. She whined. "Ma'am.
Please. Please..." I barely heard her over the ringing in my head. I
fell to my side, my fingers yet within her, but stilled; I could barely
think, much less move. Greedy, she humped against me, flopping almost
obscenely in her desperate need to follow me down. "Please..." My
fingers slipped out of her, chilled by the relatively cooler air of the
room; cooler than she, at least. She rolled over then, suddenly, laying
me out on my back, until I looked up at the ceiling with a giddy grin
on my face; her own hand jammed into herself, she ground her hips
against me, my thigh having ended up somehow between hers. Grunting;
groaning; slapping against me, the tip of her tongue protruding from
her lips, eyes closed with the effort. I lay on my back, out of breath,
too overwhelmed to do much of anything but watch and feel her weight
pushing, pushing, pushing against me. Greedy. Grunting. Obscene.
Flopping. Desperate.
She came, and she fell over me, her breasts flattening against mine
like soft pillows. Her breath was hot and sticky on my skin. She
breathed like a bellows, but to no effect; my fire was out, and hers, I
knew, was dying, slaked; banked, for now. I pushed her off me, climbed
to my feet, steadying myself on the foot of the bed. Shaky.
I can't recommend it, then, as it tends to quite distract one from
the actual task of scratching words on parchment--the ostensible goal,
of course. Nonetheless, there is a point to all of this, I swear. As
she dressed herself, pulling on her chemise (ripped only a little, and
she was embarrassed by my half-hearted show of concern), her dress, her
breast board and apron--no knickers of any sort for our Clarissa, it
seems; rough woolen knee-socks would have to do--I loosely belted a
dressing-gown, lit a cigarette, then asked, out of the blue--the
question popped as if from the aether through my lips almost before my
brain had time to register it-- "How did you get started in all this,
Clarissa?"
"Ma'am?" she asked, tugging her fingers through her hair.
"When did you begin?"
"In service, ma'am? When I was twelve. After my brother turned me
out of his home. His wife expecting, and all."
"That's not entirely what I meant, girl."
"Oh?" she said, her brow furrowing. Then unfurrowing, her eyes going
wide-- "Ooohh," she said.
"Well?" I said.
"It was," she said, ducking her eyes away, "a girl I met in my first
house. We shared a room. It had only one bed."
"Yes..." I said, drawing the word out.
"She told me-- It was a way to keep warm, nights. Have a little fun."
Speaking about this was obviously uncomfortable for her, somehow.
She wouldn't meet my eyes, and looked down, or away to the corner, or
out the window. "Do you enjoy it?" I asked.
She blushed, and prettily, too. "Oh, yes," she said. "Ever so much.
It's, it's--"
"Wonderful," I said.
"Yes," she said.
"How did you talk about it?" I asked. "What did she tell you?"
She shrugged, still looking down. "I don't know. That it was fun."
"But how did she tell you? What did she say? How did you talk about
it with her?" But she stammered, and clutched at her breast board, and
wouldn't look at me, and that was when Mrs. Woolf knocked at the door,
looking for Clarissa, wondering what service had been keeping her so
long in my rooms. Her eyes took in Clarissa's dishabille, my legs bare
beneath my dressing gown, and her mouth pinched more than is its wont.
"Ma'am," she said.
"Mrs. Woolf," I said. She knows my proclivities--even were they not
famous throughout the land, it would be foolish to expect to keep such
secrets from the staff of one's own house (though I have known many who
thought they could, to their detriment, my benefit). --But she does not
approve of them. Nor, I think, does she approve that I have meddled in
what she rightly sees as her world, allowed my passions to interfere
with the closely ordered realm over which she presides. These days, it
seems, I am breaking all manner of tabus--this, in a life many would
have said had already broken all that could be reached. It is, perhaps,
a good thing I am not so enamored of Clarissa; pursuing her with any
ardor might well end up disrupting this well-ordered house, and though
my door may well be smashed in by deVere at any moment, I would still
have the Devil's own time replacing a housekeeper as fine as Mrs.
Woolf. --But I cannot resist teasing her. Before she could make up her
mind whether she wished to say anything rash, I gave her a more
permissible target: I pointed out the ink stain on the coverlet, which
yielded a sharp though mercifully brief tongue-lashing on the perils of
staining watered silk, and on why only a thoughtless cretin, unmindful
of the hours of unceasing labor which made her leisure possible, even
comfortable, would do something so rash as to write in bed. To say
nothing of eating in that same bed. I endured it with as straight a
face as possible, and managed to resist all opportunities for double
entendre. A small price to pay; at the end of it, she had taken her
leave, soiled bedclothes in hand, Clarissa in tow, and I am now left
alone to continue this work.
"How did you get started?" The very question I have been asking
myself--how to begin?--but I did not have the meaning right until I
asked Clarissa. This is to be my other journal, my shadow history, an
account of all those many things I've done and said in bed, and to get
to that bed, those things so many of us do and say but never speak
about, or write down. Clarissa so obviously takes great pleasure in
what we did last night, and this morning, what she did with my girls
yesterday; she has been schooled in numerous arts, widely if roughly,
and takes them up with great pleasure when she knows they will be well-
received. But she cannot speak about them; she can barely put their
existence into words. I doubt she even knows the names of the things
she does, the desires she feels. What she is, when she strips off her
clothing and climbs into bed with her mistress, her fellow maid, my
girls, when the world is nothing but skin and sweat and mouths and the
sharp, sweet tang of sex, thighs and bellies and breasts, hair and eyes
and kisses in the dark, and whispered names. Another world; quite
literally, it seems.
How did I get started? When did I first get a glimpse of this
strange country we all visit, but so rarely write home from?
It did not, I am certain, occur in the manner you might think.
The first home I can remember? A bawdyhouse. This house no longer
stands--destroyed, doubtless, in the Great Fire almost twenty years
ago, though no records of these things are kept--and I doubt the one in
my memory ever really existed at all: a vast, sprawling thing, filled
with billowing colored scarves and tumbling, half-dressed whores and
gulls, staircases climbing every which way and too many enormous
painted doors. What is built in my mind is made of three or four such
houses, I am sure, as I moved from one to the other, in the care of
whomever was looking after me at the time--a whore's accident, an
occupational hazard, cute enough, it seems, to tug the heartstrings,
and be spared the usual fate of kittens, puppies and whores' babies (a
burlap sack, a moonless night, deep waters). --No single such house, so
fantastic, so large, so full, could ever really have existed. A weird
and wondrous backdrop for the giants who loomed through my days, doing
and saying such mysterious things. There were three women, I think, who
were most in charge of keeping me, and none of them my mother: Cindy,
whom I remember most as a smile and a warm hug smelling of pale powder
and cheap perfume, though she got so angry whenever I meddled with her
paints; and Jack's Jess, who was as casual about a whore's business as
anyone can be, I suppose-- Once, I was told, I tottered into her room
as she was about her business beneath a gull, and I was complaining
most bitterly about, I suppose, the condition of my diaper; the legend
has it she waved me over, yanked the thing off, cleaned me up and
bundled me into a fresh cloth, as all the while her gull pounded away
at her, oblivious. But this occurred, if it ever really happened,
before my memory was strong enough to retain any impressions of my
experiences. --The third was a woman whose name I do not recall, and
Jack's Jess was never able to help me remember; there were, she claims,
any number of whores looking out for me then, any of whom could have
been this third, whom I remember for her cloud of dark hair, her eyes,
and the song I am certain she sang to me, cosseted away in the drawer
of some battered armoire stuffed with filmy garments of silk and satin
and lace. (Years later, years ago, I came across words that fit the
tune that I remember. I do not know if this is what my third motherly
whore sang to me, then, but I shiver every time I hear them; I offer
them up, now, as an echo of what might have been:
(When that I was and a little tiny boy,
With a hey, ho, the wind and the rain,
A foolish thing was but a toy,
For the rain it raineth every day...)
There was a man, dressed all in black. I know now he must have been
one of Codlatan's ravens, got up all in black and come to My Lady's
Hole to preach to the bawdyhouses, to try and bring us, whores and
gulls and all, back to My Lady and Her Lord, back to the realm where
relations between men and women are sacred, used only to bring new life
to this world; a duty carried out, not a pleasure to be indulged--much
less paid for. (And as for relations between women and women, or men
and men, these, of course, are not enough acknowledged even to be
condemned.) All I knew at the time, though, was this man, dressed in
black from his collar to the floor, to his fingertips, with a great
long mane of black hair unhidden by hat or wig, and black flashing eyes
that made any room he entered suddenly silent, that made the very
colors in the air sputter and fade and die in his presence. I was
scared of him, and Cindy or Jack's Jess or my dark angel would sweep me
up into her arms and carry me off whenever he came to frown and
harangue and drive off business for an hour or so.
But once--
Once I came upon him, lying out on Jack's Jess's bed. I was seeking
her, for what I cannot remember: some childhood want or need or fear
that she and she alone could assuage. I don't know where she'd gone;
professional enough to have the tools of her trade at hand, I doubt
she'd suddenly needed to fetch a Stilean letter, or a bit of cloth.
Perhaps Nature called, and this dark man did not fancy the sound of a
whore making water, and he sent her away. Perhaps she did not even know
he was waiting for her, in her bed; I do not even now know what
arrangement they might have had, if there in fact had ever been
something so formal as an arrangement. I walked into Jack's Jess's
room, and there, on her bed, the dark man, on his back, one hand over
his eyes, and rising from his middle, from the black robes rucked and
wrinkled oddly at his waist, was an improbable little tower of pale
pinkness, leaning at a precarious angle. Such an odd sight, something
I'd never, at that point, seen, or seen with enough time and force to
press itself into the hard young wax of my mind. I thought it was
something he was balancing there, something not of himself, a game he
was playing, as unfathomable as anything else these ghostly giants did;
whatever did not involve my food, or my comfort, or my fears.
He lifted his hand from his eyes suddenly, and those dark eyes
burned straight through me. He rolled onto one side, and I gasped,
certain that his little tower would fall, that his game was spoilt--but
it stayed, wobbling only a little, pointing straight at me with its red
cap, a dark little eye piercing its center. He sat up on one elbow,
those eyes still burning, and he beckoned me closer with one hand. Did
he speak? "Come closer, girl," he might have said. Perhaps. Maybe his
lips moved; maybe words came out. Maybe I stepped closer on the
strength of his gesture alone--that, and his eyes.
He rolled again over onto his back, and again that tower did not
move or fall; again, it wobbled a little, still leaning back towards
his head at that impossible angle, its red cap now pointing to the wall
above him, rather than at me. I stood beside the bed, and his eyes
turned away from me, gazed down at that thing that fixed us both.
Did he speak? He must have. He did not touch himself, and I must
have gotten the idea from somewhere; it would never have occurred to me
on my own, unbidden. His voice, rough, hesitant, so unlike his
sermons: "Go on, then. Touch it. It won't bite."
It wasn't till I laid hand on it that I realized this thing was a
part of him, like a finger, or a toe--this tower grew up from his skin.
His robes were open, unbuttoned to his waist, though tucked between his
legs, so nothing but this strange protuberance was bared. And it was
warm, almost hot, and it pulsed under my fingers. "Grip it," he
said, "hold it tight, like your mother's hand," and I did. His eyes did
not look at me, and so I could look him in the face: his narrow nose,
his thin-lipped mouth, his mane of hair haggard in the dim light, his
eyes hooded, downcast. He shifted, lifting his hips suddenly;
surprised, I might have let go-- "No," he might have rasped, his eyes
flashing onto me, but dimmed, banked, his force, his essence elsewhere.
Nonetheless I was moved by a mixture of fear and curiosity to do as he
wished, and I gripped this odd member again, round and fat in my little
fingers. What was happening? What would happen next? --And besides,
when I gripped him, let him move and shift beneath me, those eyes
looked elsewhere. I found myself torn, between this chance to look upon
his face, unnoticed by his blazing eyes, and the chance to examine the
mechanism of this strange thing I held in my hand. What I'd thought was
an eye was a hole, but it wasn't a hole that pierced the red cap; it
was more as if the cap itself were folded in half, forming two small,
fat lobes, and the eye, the hole, was at the very crease of that fold.
There was a lip of skin came up and around that cap, skin that moved
and slid in a most alarming fashion--I watched it, full of fear that it
would slide down and down and that red cap would be released with a
fleshy pop! to fall, red, wet, into his black-clothed lap. It didn't,
of course. The skin pulled down to reveal the cap was of a piece with
the little tower, and he groaned, and pulled his hips down, and the
skin of it rolled back up over the cap as if it were a turtle's head,
pulled back into its shell. The skin of it was smooth, and soft, yet
netted with blue veins, like the underside of Jack's Jess's wrists; it
was a darker and duskier skin than that of his hands, one of which was
spread flat against the wall before me, pale and distant, and I could
see peeping out from the cloth opened about his hips a sudden sharp
thicket of black hair, and I was frightened a little, perhaps, of what
creature might be hiding within it.
It might have been that fear, or it might just have been that his
movements were rough--so rough that I lost hold of him--his tower
wobbling like a branch in a wind. His hand crashed down suddenly upon
my shoulders. Again, he must have spoken: "Keep hold, you careless
little thing!" or some such. I started, but I did not begin to bawl.
For though his hand was huge and heavy on my shoulder, and his eyes
were fixed on me, black and fierce, there was something in them that I
could see. Could read, though I knew even less of letters then than I
did of the giants around me. A need that I could see, sparked deep
within him, a need as strong as my own for milk, or food, or a caress,
for someplace safe from Cindy's rages when I ripped her silks, or made
a mess with her paints, a need somehow tied to me, to my little hands,
to that odd, weird tower he'd built of himself. I stood there, letting
his words wash past me, his hand try to bear me down, until he was
quiet, breathing heavily, and there was nothing between us but the look
in his eyes. Then I took both my hands, and I wrapped them about his
little tower, and I rocked the skin up and down, up and down, for all
the world as if I were pumping up fresh water from the well out back.
So I was not so surprised as I might have been when he groaned, and
shivered, and liquid leaped up and out from that eye, a single spout
from a well long dry. Pearly white, and shining in the dim room, like
wet teeth in a smile, and it stained his black robes where it landed.
"Damn you," he muttered, sitting up slowly. This I do remember,
clearly. He fumbled about the table by the bed for a rag and came up
with some scrap or other, with which he daubed at himself. "Careless
little bitch. Whore's get. Don't you know what that's for? Hasn't your
mother been keeping up with your schooling?" But for all the gruff
harshness in his voice, it was low, not at all like his thundering
sermons, and his eyes did not peer at me, through me; they looked down,
at his hands, at the stuff he was blotting up. Gluey stuff, I was
surprised to see; not like water or milk at all. It clung to the cloth,
pulling free only reluctantly, in shining, wet strings.
He paused a moment, his hands trembling above his lap, his tower
wilting, pointing down towards his feet, nestling its red, weeping cap
in the black folds of his robes. Then he looked at me, but his eyes
were gentle, and quiet--though there was something in them I did not
like. A ghost of a smile, and not a nice one, at that.
"I was your first, then, was I, girl." I said nothing, but I looked
him straight in the eyes, and did not look away. Somehow, I knew--doing
to him what I had done, what he had made me do, seeing him in that
state--I had earned the right. He beckoned me close, and I took one
slow, dragging step. "There's more than this," he said. "Much more. And
you're damned to learn it all, aren't you?" His fingers rustled in his
lap, drawing my eyes to look down. He had unfolded the rag, finding the
puddle of spew he'd daubed up, and the middle finger of his right hand,
long and thin and pale, he dipped into it, coming out with a pearl of
the stuff clinging to its tip, trembling as he trembled. I looked back
to his face, his eyes, still gentle, though that smile, not nice at
all, was crinkling up the corners. "You've earned the taste, then,
haven't you?" he said. "Haven't you?"
I took another step. How could I know what was coming? How could I
possibly have had any idea what to expect?
His free hand, the one that did not have a queer, half-living jewel
clinging to a fingertip, reached out, caressed my soft hair, curly
then, and dark. A soft and gentle touch. His fingers tightened about my
head--his hand so large, he could almost cup it all. I opened my mouth
to say something, perhaps to call out for Jack's Jess, and quick as a
snake he struck, that finger flashing towards me, stabbing my mouth, my
cheek, the pearl mashed warm and wet against my lips. His hand let me
go and I stumbled back. The stuff stuck to my mouth and chin, warm,
clinging; I raised a hand to wipe it away, licking my lips unknowingly.
The fire was lighting in his eyes, then; the gentleness gone from
his face. "Well? Whorespawn?" he rasped. "You lick your lips as if it
were candy. And is it to your liking?" It wasn't, and I shook my head,
slowly. I'd expected something sweet, like cream. It tasted like
nothing at all. It reminded me of the taste in the back of my throat
when I was sick with fever and sniffles.
He did not seem to like the fact that it disagreed with me. "Little
bitch!" he roared, climbing to his feet, swelling up from the bed to
the enormous black-clad height I knew and feared so well. But summoned,
perhaps, by his cries, or perhaps it was just her errand was
accomplished, Jack's Jess swung into the room, grabbing me by one arm
and yanking me, stumbling, behind her skirts, even as she slapped his
face with an open palm. He fell back onto the bed, tangled in his half-
opened robes, bellowing something incoherent, as Jack's Jess swung me
up into her arms and bustled out of the room, through a corridor lined
with half-naked whores and gulls, even as his words followed
us: "Bitch! Cunt! Whore and whorespawn! All the plagues and curses of
Her Lord upon your heads! I swear it!"
Up a flight of steps, and down another, through doors and curtains,
strings of beads lashing against me, and finally stopping in a dark,
soft room, smelling of spices and dead candles. Jack's Jess running her
fingers over my head, my hands, my arms, throwing up the skirt of my
chemise and feeling my legs, my belly, my little slit, my bum, and all
the while her voice half-weeping telling me what a little fool I was,
and worse, and what had that horrible man done to me? The examination
puzzled me. I did not know what I know now--that there was far worse he
could have done. That his tower, his prick, his yard, his thing could
have been stabbed deep into my belly through my slit or my bum, which
seemed so small; could have been forced between my lips to make me
drink the whole mess of it down, and not just the bit I'd tasted. That
was what she was feeling for, some sign of these things I didn't even
know were possible. Finding nothing, she pulled me to her, sobbing a
little in fear and relief, but I was silent, and still. "Don't ever
speak of this," said Jack's Jess suddenly, holding me at arm's length,
shaking me to drive the words home. "Never tell anyone what he did, you
hear me? You will never see him again. You hear me? You will never have
to worry about him doing that to you again." I felt a vague
disappointment in that. I knew that I had done something to him, as
much as he had done to me; I knew that for all his rage and bluster and
hate, there was something deep inside him that he couldn't deny. A
need. Something he needed others for. Me.
For the first time, I felt like I had some grasp on the world of the
giants around me. I felt some power, beyond the petulant demands I
might make for food or entertainment. It was heady and frightening. It
made the air sharp in my nose, and it made my heart beat more quickly.
I had no idea how it worked, how I might summon it forth, bend it to my
will. But I was going to learn.
That night, curled up in my silk-lined drawer (that I was rapidly
outgrowing, to be sure), for the first time I pulled off my nightgown
and lay naked under the blanket. Ducking my head under it, I spread my
legs, peering at my slit. Would a tower grow from there? The folds of
skin to either side, hairless and smooth, looked somewhat like the
lobes of red flesh at the cap of his tower, but they lay flat, and were
pale. I touched them, cautiously, wondering what he had felt when I
touched him. How had he made his tower grow? What would I have to do to
make mine leap up?
And now it is late afternoon. I have eaten a late lunch, rung for
Clarissa, who brought it, cold meats and cheeses, warm wine, and she
simpered and smiled and pressed against me, her breasts nigh to
tumbling out of her bodice, her fingers trailing against my arm, my
shoulder. Last night I had snatched at her hand suddenly, pulled her to
me, pressed kisses to her cheeks and throat and to her delighted mouth,
but today I am cool and firm and distant to her, and she pouted as she
left, unhappy, and she shut the door heavily. --Monsieur Orphe had
returned from the Ladysmith, and I took his report as I ate.
I was sipping the last of the wine as the two of us spoke idly of
one possibility or another, hatches that ought perhaps be battened in
the event of a sudden storm, when we heard the peals of laughter from
outside. Girls' laughter. Though Orphe's face did not so much as
twitch, I could read in his blankness, in his cool, dead eyes a rebuke.
Here is a weakness, those eyes said. This is a way we can be struck.
But he would say nothing; we both know his place. Still. Perhaps I
wanted to make something clear; perhaps I wanted to reinforce that he
served me, though there is no real need. Perhaps a morning spent
scribbling away about my first memories of that strange country,
perhaps not responding at all to Clarissa's advances, had set lust
loose in my blood, and I wanted to see my girls enjoying themselves in
the sun. I stood, smiling, and walked to the window, where I could hear
someone singing.
Lucy was there, wearing one of Clarissa's simple dresses, sitting in
the small swing I have, near the fountain, a stone's throw from my
windows. But behind her, holding her close, was Clarissa, her arms
around Lucy's waist, her chin on Lucy's shoulder, singing a terribly
bawdy song. Clarissa, not Eliza. Lucy's skirts were hiked all the way
up to her hips, and her legs bare the long pale golden length of them,
down to her little toes curled up in the grass. Her thighs were closed
tight upon Clarissa's hands that were busy between them, their lewd
motion setting Lucy to swinging slowly, one way, then another, and
Lucy's eyes were closed, and even from my window I could read the tiny
smile on her lips. Clarissa sang, her voice flat, but strong
nonetheless:
"There is not in this wide world a valley so sweet,
As that vale where the thighs of a pretty girl meet:
Oh, the last ray of feeling and life must depart,
'Fore the bloom of that valley shall fade from my heart."
I felt something hot welling up in me, but not the lust that had
been sleepily bubbling in my veins--something angry, something
petulant. Had Clarissa the gumption to feel spurned, by me? To think
she might avail herself of my girls when I turned her down? And how had
she suddenly become so eloquent, this serving girl who could not this
morning tell me much beyond the fact that "It was fun"? I fumed as she
kissed Lucy's neck and began the next verse:
"Yet 'tis not that Nature's spread over the scene,
The purest of red, the most delicate skin,
It's not the sweet smell of the genial hill;
Ah, no! it is something more exquisite still."
Monsieur Orphe, stealing up behind me, silently, touched my arm. I
looked up, my eyes flashing. He nodded down, to one side. I looked,
even as Clarissa giggled that "Ah, no!" and Lucy sighed, and a shudder
passed through me.
There, in the kitchen gardens, peering over the screen of basil
growing from the waist-high trough, stood Mrs. Woolf, secretly
observing the girls on the swing. One hand pressed to her bosom, the
other raised, lightly touching her lips.
"'Tis because the last favors of woman are there,
Which make every part of her body more dear."
As Clarissa stumbled into the last verse, laughing with delight, as
Lucy doubled over suddenly, kicking her feet as she came, "Oh," she
cried, "oh!" Mrs. Woolf took in a short, sharp breath that sucked in
her chest and lifted her shoulders, and she bit, lightly, at her
fingertips, and I felt that rage, that jealousy evaporate. Mrs. Woolf.
Never before could I have imagined passion seeping its way through the
cracked and wrinkled armor of her skin, to look out with even the most
tepid warmth through those narrowed eyes. I would have sworn her cunny
sealed shut from years of disuse; that her thighs would creak in
protest if spread beyond the span required to climb a stair. And yet it
was suddenly clear to me that she not was only aware of my
proclivities, but shared them, and felt some tremulous echo deep within
of the great gong which crashes within me, shivers my belly, sends me
to my knees, my lips parted, my thighs damp, my breath shallow and
desperate; that she had perhaps felt something like that this morning,
in my rooms, when she fetched Clarissa; that she longed to feel it
again.
Clarissa freed her hands as Lucy hung, panting, from the ropes that
held up the swing. Clarissa reached up and began to untie her breast
board, finishing her song with a smile:
"We feel how the charms of Nature improve,
When we bathe in the spendings of her whom we love."
And she raised her fingers to her lips and licked them.
Monsieur Orphe took his leave. Such things do not interest him, not
anymore. Mrs. Woolf stayed, watching as I watched, as Clarissa shucked
herself of her clothing and stood as naked as she'd been this morning
at the foot of my bed, and then knelt on the grass between Lucy's knees
to press kisses to my girl's cheeks and lips. I returned to these pages
as they tumbled together, the swing dangling empty above them, as
Lucy's clothing began to peel away from her limbs, her hair tumbling
about them, and I set down these words while the sight was still fresh
in my memory--though looking it over, now, I see I have not got it
right; the song was not nearly so smooth as I have it, interrupted by
laughter, by murmurs I couldn't catch from my height, and I don't think
Clarissa knew all the words (I do, myself); I've left out the gleam at
Mrs. Woolf's lips, and the way her fingers shook. Enough of these pale
paper ghosts. I can still hear them below me. Their cries pealed up
entwined to my window a moment ago, like bells, like doves; now they
murmur, quietly, and one or the other laughs. What are they speaking
of? What are they saying? "Well?" says one of them. I think. Well?
I shall join them, raise up their appetites to raging fires and then
quench them, ask them "Well?" and "Well?" and "Well?" again; find Eliza
and fling the three of them naked into the fountain, and I do not care
if Mrs. Woolf watches, or spends in a sudden frenzy at the sight of it,
weeping a dozen years' worth of love unrequited into the loam of the
garden to launch a sudden wildfire of late summer flowers, her heart
breaking with the effort-- Would that not be a magnificent way to die?
And besides, though I would have the Devil's own time, and though
she is now dearer to me than I had ever supposed--one can always find a
new housekeeper. But where, oh where, would I ever again find girls
such as these?
nicholas urfe
nickurfe@yahoo.com
http://www.asstr-mirror.org/files/Authors/nickurfe/
www.mrdouble.com
Lyrics from "Twelfth Night," by William Shakespeare, and "The Meeting
of the Waters, a parody on Moore's Melody," an anonymous air from the
pages of The Pearl.
--
DICK. That happened in the reign of queen Dick, i.e. never: said of any
absurd old story.
--
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