Message-ID: <7037eli$9803191055@qz.little-neck.ny.us> X-Archived-At: From: Celeste801 Subject: {ASS} Celestial Reviews 267 - Mar18 Newsgroups: alt.sex.stories.d,alt.sex.stories.moderated,alt.sex.stories Followup-To: alt.sex.stories.d Mime-Version: 1.0 Content-transfer-encoding: 7bit Content-type: text/plain; charset=US-ASCII Path: qz!not-for-mail Organization: The Committee To Thwart Spam Approved: X-Moderator-Contact: Eli the Bearded X-Story-Submission: X-Original-Message-ID: <41df3c13.35103910@aol.com> X-Is-Review: yes Celestial Reviews 267 - March 18, 1998 Note: A young man was very, very much in love with his future wife -- so much so that he had her name tattooed onto his penis. When his member was unarooused, all one could see was a very distinctive "W" and a "Y"; but when erect, his schlong proudly displayed his future spouse's entire name -- "WENDY". They got married, and for the honeymoon they went to the Bahamas. One day he stopped into a public restroom; and as he was standing in front of the urinal, he couldn't help but notice that the fellow next to him ALSO has his penis tattooed... with that same distinctive "W" and "Y". With a growing sense of dread he asked: "Uh, say, I couldn't help but notice that tattoo on your privates. It doesn't say "Wendy", does it?" "Oh, no man" the other fellow replied. "It says 'Welcome to the Bahamas. Have a nice day'". Second note (to confirm stereotypes): Three friends - a white guy, a black guy, and a Jew - decided to visit a prostitute. It was a slow night; so she gave the guys a deal: "You can pay by the inch." When the white man came back out his friends asked, "How much did she charge you?" "$75 dollars," said the first. The black guy went in and returned with a fee of $95. The first two were proud of their prowess. The third man went in and returned. "How much did she charge you?" asked the first two. "Twenty dollars", replied the Jew. The first two started laughing hysterically. "Hey guys," replied the third; "I'm not so stupid. I paid on the way out." Third note: A guy goes into confession and says to the priest, "Father, I'm 80 years old, married, have four kids and 11 grandchildren, and last night I had an affair with two 18-year-old girls. I made love with both of them ... twice." The priest said: "Well, my son, when was the last time you were in confession?" "Never Father, I'm Jewish." "So then, why are you telling me?" "Hell, Father, I'm telling everybody!" Fourth note: Can somebody help me? Someone wants me to post my reviews to an FTP address. I suspect there is a really easy way to do this via AOL. Can someone tell me how to do this on AOL? Final note: Remember: even though someone else may be posting my reviews for me, my e-mail address is still Celeste801@aol.com. - Celeste "The Orgasm" by ck29 (ck29@anon.nymserver.com) 10, 10, 10 http://x2.dejanews.com/getdoc.xp?AN=330247897 "The Bet" by Unknown Author (mind control) 9.5, 9, 9 http://x2.dejanews.com/getdoc.xp?AN=334654590 "The Sex Worker" by PleaseCain (silly stuff) 10, 7, 5 http://x2.dejanews.com/getdoc.xp?AN=334379778 "Remember Ol' Stretch's Train?" by PleaseCain (gang bang) 10, 10, 10 http://x2.dejanews.com/getdoc.xp?AN=334376039 "Babysitting Drama" by Michael K. Smith (emerging adolescence) 10, 10, 10 http://x2.dejanews.com/getdoc.xp?AN=335059625 "Motel" by Anne Arbor (silent lovemaking) 10, 10, 10 http://x2.dejanews.com/getdoc.xp?AN=334671101 Guest Reviews: "Tina" by Sclark7 (erotic wife story) 8, 8, 7 http://x2.dejanews.com/getdoc.xp?AN=333192811 "The Home Front" by Ragtime (incest) 9, 8, 7 http://x2.dejanews.com/getdoc.xp?AN=316781403 "The Tasting" by A Pulp Fan (sexy romp) 10, 10, 10 http://x2.dejanews.com/getdoc.xp?AN=332781376 "Hawaii Vacation" by Jemma (love on the beach) 7.5 http://x2.dejanews.com/getdoc.xp?AN=331483788 "March Twenty-First" by Crimson Dragon (hot dreamlike sex) 10, 10, 6 http://search.dejanews.com/getdoc.xp?AN=333785276 "Sleeping With Friends" (adolescent romance) 8, 8, 9/5 http://x2.dejanews.com/getdoc.xp?AN=334660362 "All Night Long" by Unknown Author (violent rape) 10, 10, - http://search.dejanews.com/getdoc.xp?AN=334927400 Reposted Reviews: * "Consuming Passion" by PleaseCain (sci fi sex in a treehouse) 10, 10, 10 http://x2.dejanews.com/getdoc.xp?AN=334379773 * "Stolen by Illusion" by Morgan Preece (first time) 10, 10, 10 http://x2.dejanews.com/getdoc.xp?AN=334379801 * "ekiN" by Morgan Preece (sexual fantasy on train) 10, 10, 10 http://x2.dejanews.com/getdoc.xp?AN=334379803 * "T'ANG JUNZI" by John Dark (oriental sex) 10, 10, 10 http://x2.dejanews.com/getdoc.xp?AN=334665919 * = Repost of previous review (because the story has recently been reposted) "The Orgasm" by ck29 (ck29@anon.nymserver.com). This story relates the first- and second-time experiences of a man with the woman he loves. Using very few words, this story gives a full picture of her life history and puts the title word in perspective. It's a very good story - concise, sensuous, and focused. If I make this review much longer, it will surpass the story in length. Ratings for "The Orgasm" Athena (technical quality): 10 Venus (plot & character): 10 Celeste (appeal to reviewer): 10 "The Bet" by RC (reposted by Bookman Archives). Celestial Assumption #7: People can be turned into sex slaves by college kids who read a chapter in a psych book. That's not quite accurate: the woman in this story also peruses several selections from the list of supplementary readings in the course syllabus. Since mind-control stories are so easy to write and have a huge potential to be non-creative, I made a rule for myself a long time ago that in order to get a high rating a mind-control story had to do a lot more than have someone say, "You are in my power. Have sex with me." In this story the college guy has made a bet with his girlfriend that she can't hypnotize him. Carrie wins the bet by hypnotizing the sexiest girl on the campus and delivering her to him on a silver platter. Of course, Carrie has her way with the sex goddess too. And the guy is a good loser. Things like this can't happen in real life. If this were possible, we would see millions of people doing things like staring blankly at small boxes that emit electronic versions of insipid stories that sensible people would not want to watch of their own volition. Teenage boys would follow teenage girls with blank looks on their faces - in spite of the loose reference of the prepositional phrase in the first half of this sentence. This story would receive straight 10's.... I suspect that stories like this one are written by Psychology professors who are really desperate and will stoop to anything to motivate their students to read a chapter in their text book. Ratings for "The Bet" Athena (technical quality): 9.5 Venus (plot & character): 9 Celeste (appeal to reviewer): 9 "The Sex Worker" by PleaseCain (pleasecain@aol.com). In my college days I came to a conclusion about some "modern artists": they are putting us on - jerking our chains, so to speak. I suspect PleaseCain is putting us on with this story. I have given this author so many high ratings, that he/she has decided to post any ole shit that is grammatically coherent just to see if I really read the stories before I rate them. Well, I do. This author has written some excellent stories. {See the next review for an example.} In truth, there is even some creativity to this quasi-story. I suppose the best reason to read this story would be to be able to say you have read the whole corpus of the works of this author. And that's not an entirely bad reason. Ratings for "The Sex Worker" Athena (technical quality): 10 Venus (plot & character): 7 Celeste (appeal to reviewer): 5 "Remember Ol' Stretch's Train?" by PleaseCain (pleasecain@aol.com). Some people - really silly people, I might add - insist that I never give favorable reviews or positive ratings to stories that are about topics that I dislike. Those people should note that this is a favorable review and these are high ratings. They should also note that I do not like or approve of what happens in this story. I really can't tell you what the story is about. The main strength of the story lies in the way it gradually reveals to the reader what's happening. It accomplishes its strong impact by using ethnic dialogue creatively and by juxtaposing events that are clear but at first don't make sense together. Don't read this story when you want to get a hard-on or have an orgasm. But be sure to read it. Ratings for "Remember Ol' Stretch's Train?" Athena (technical quality): 10 Venus (plot & character): 10 Celeste (appeal to reviewer): 10 "Babysitting Drama" by Michael K. Smith (mksmith1@bellsouth.net). Right! This guy eats out the little sister and then watches Masterpiece Theatre while he waits for her big sister to come home. Hello! Anybody home? Why not watch Mother Angelica instead? I jest. This is actually a good story. The college guy babysits for his prof's 13-year-old daughter, who wants to learn about sex. He gently refuses to fuck her - just licks and sucks her to orgasm and lets her hold his cock while he cums. Then the older sister (also a virgin) comes home after a bad experience with her boyfriend, and the babysitter serves as a counselor - exchanging stories with her and letting her see his dick and suck on it just a little - sex, pure and simple. Well, simple, anyway. Then the parents finally get home about 3:30 in the morning, full of apologies for their tardiness. This is a very hot fantasy. However, as the disclaimer would say, if there were one, if I were a unscrupulous but cute little girl that wanted to get a free college education, I just might get a college kid whose family had money to fuck me and then threaten him with statutory rape. This isn't even called blackmail, if you use a lawyer and do it the right way. And teenage girls contemplating this sort of thing should be aware that almost none of the older guys who will fuck them are as considerate and sensitive as the young man who narrates this story. Starting to have promiscuous sex at as early an age as possible is probably the best way to guarantee that you'll have an unhappy adulthood. But there's nothing wrong with flights of fancy; and as I said, this is a very hot fantasy. Ratings for "Babysitting Drama" Athena (technical quality): 10 Venus (plot & character): 10 Celeste (appeal to reviewer): 10 "Motel" by Anne Arbor (AnneArbor@hotmail.com). The man's daughter has been visiting him for three weeks. Three weeks of celibacy, him in his house, his girlfriend in hers. Then four nights in a shared tent in a crowded campground. And now, as they are finally returning the daughter to her mother in Phoenix, our narrator is showered and comfortable and horny beyond desperation. You young'uns out there! This is what you have to look forward to. You think it's hard to sneak away for sex now! Wait until you have this hot relationship with this sexy stud and you know he's been watching your ass all day and longing to stick that warm and friendly cock inside your even friendlier cunt - THEN you'll be able to identify with the people in this story. As an adolescent, I was almost certain my parents never had sex. I shared motel rooms and tents with them, and they never did anything to lead me to suspect that they were up to hanky panky. I have a friend with eleven siblings who is equally certain that her parents never had sex. Maybe I'll give Mom a call tonight and read this story to her over the phone. Note: The best way to handle the situation described in this story is to ask the receptionist when you make the reservation at the motel whether the air conditioner has a fan that will continue blowing all night long. She'll probably say, "Yes. But that will be five dollars extra for each of the children sleeping in the same room with you and your honey." Ratings for "Motel" Athena (technical quality): 10 Venus (plot & character): 10 Celeste (appeal to reviewer): 10 "Tina" by Sclark7 (sclark7@aol.com). This review is the personal opinion of Kim, who can be contacted at ghost@nym.alias.net. In his introduction, SClark says this is his first attempt at writing an "erotic wife story", which seems to imply that there is a whole genre that means more than the bare words would suggest. For example, I will soon be a wife for the first time, and I fully intend to be as erotic as possible, come the day. But reading this story, I suspect that is not exactly what the author means. So if I miss some nuance of meaning, due to my unfamiliarity with this previously-unknown-to-me genre, then I apologize up front. Written in the first person, from the POV of a Mark, about to get married to the titular Tina, it documents his slow descent into uncertainty and loss of nerve on the day, and more importantly on the night, of their wedding. Embarrassed by the jibes of his sisters about his lack of manliness, which isn't helped by being significantly smaller than his voluptuous bride, poor Mark's worst fears are made real as he and Tina attempt to consummate their vows in the bridal suite. You'll have to read it to see what I'm talking about, but conventional it ain't! Technically the story flowed reasonably well, but there was the sporadic grammatical error, plus some odd formatting of speech, which incorrectly used periods instead of commas. And a few lurches in tense for good measure. Also the author seemed to use "rather", erm, rather a lot. Finally, by the time I had reached the finale I was giggling almost uncontrollably at the way the story went. After calming down, I was sorta puzzled. So this is an "erotic wife" story, I thought. Shaking my head, I read it again, but I'm sorry to say I started giggling once more. Now I have my doubts that uncontrolled mirth is the response that the author was after, though I could be wrong, of course. Ratings for "Tina" Athena (technical quality): 8 ("Rather" too many mistakes) Venus (plot & character): 8 (I liked Tina. My kinda gal!) Kim (appeal to reviewer): 7 (I laughed a lot; don't know if that's good or bad) "The Home Front" by Ragtime (posted by Mr Double). Guest review by BillyG. "The Home Front" is a story that's set in rural England during World War II. More, it has the feeling of being written by someone who lived there during that period. It is a long, slowly moving tale that emerges as a curious mixture of bucolic beauty and unlikely plot, that is, if one care's about the plot of a sex story. As it turns out, I do, and unfortunate for me, it colored my reaction to the story. I'll speak first to that and later to what I liked about the story, which was quite a bit. First, I should tell you that whatever else it may be, "The Home Front" is primarily a story of incest. Not a tortured, pained or tragic tale to be sure. It's positive and upbeat. If one is inclined, one might stretch credulity even further to entertain the possibility of an attractive brother and sister, who are themselves the product of an improbable incestuous union, contriving to take in a displaced pair of twins, a girl and a boy, for the express purpose of broadening their sexual connections. It's titillating for them to seduce their brother-sister counterparts. By this time, the direction of the story is set and totally transparent. The twins' parents, of course, are - you guessed it - a brother and a sister. They - the parents - are brought into the story straight away. I might add that this is an unfinished story, perhaps half-way completed. We know from the outset that there are waiting in the wings still another pair of twins. Yes, brother and sister. What else? Having no scarring or horrible incestuous experiences of my own to set me on edge when reading a story of this genre, Celeste assumes (correctly) that I'll not simply reject them out of hand. Still, stories that are so unlikely as to strain our believability remove them from the ranks of those tales that move if not electrify us. This story is pleasant, hardly gripping. The protagonist of this story is Joyce Parks. She's the glue that holds it together and everyone else serves to support her designs. She's lusty and pleasant and totally uninhibited. She speaks with unabashed candor of her own desires and practices as she's in the process of instructing the willing others in the proper technique of such diverse things as bum fucking and hygiene. Exactly what is going to happen is a given. Just how Joyce manages to get all these ducks in a row is the primary fun part. There are moments when the story borders of being steamy, but there are too many plates to be juggled for sustained erotic intimacy. I suppose if the other half of this story emerges, I'll read it just to see how she adds a few more plates to the act. Ratings for "The Home Front" Athena (technical quality): 9 Venus (plot & character): 8 BillyG (appeal to reviewer): 7 "The Tasting" by A Pulp Fan (pulpfan@anon.nymserver.com). Guest review by Sven the Elder. I have to be truthful and admit that I am not a follower of some of the more obscure genres of story that get published in our community. By and large many do not do a lot for me, and I'm afraid that as a result I don't tend to either download or read them. >From time to time though, I do read some stories by authors that I would not normally consider. "The Tasting" by A Pulp Fan comes under that heading. I am not sure why I chose to download and have a look; but I did, and I am glad I did so. This is a delightful ramble through a well constructed scenario. The prose is good, tight and properly fabricated, this is an English essay that, but for it's subject matter, would gain an A or A+ within any writing group. The story starts with the narrator muttering about being dragged along to a wine tasting by his girlfriend. Her boss is filthy rich and "he had made most of his fortune the old fashioned way -- he inherited it" A line I rather liked. Our Hero becomes bored and wanders off into the grounds of the mansion and is waylaid, in all sorts of senses of the word, by a relative of the owner. She takes him round the estate and to parts of the house, and her, that he had not envisaged covering. We finish up with a twist or two based on the title of the piece. This is a well-crafted and erotic story that will bring a gentle smile to your face, and a healthy glow to other parts of the anatomy. Well worth the download and read of this author's first foray away from his normal writing. I hope it will not be his last. Ratings for "The Tasting" Technical quality: 10 Plot & character: 10 Appeal to reviewer: 10 "Hawaii Vacation" by Jemma (jemma@mail.on.rogers.wave.ca). Guest review by Dave Myers. This is the second story I've read by this author, and she has great potential in a genre that I can only describe as "erotica verite". Her style is mf rom with first person narrative in present tense ("You are touching me gently", "I am moaning softly", etc). These are stories with enough brush strokes to seem true, enough character development to seem realistic, and at the same time, clearly fictional. Thus, "erotica verite". Synopsis: A couple make love in beach settings. This is hazy lazy lovemaking, the kind where the sensations conveyed are not just of the chemical/hormonal kind, but of human emotion. The action unfolds at the leisurely pace of two people sensuously exploring each other romantically. But the story is marred by two distractions. First is the absence of apostrophes from the text. The other problem is more subtle. In trying to capture the elements of sensuality and realism that come from non-sexual events in the story, the author dips once or twice a little too far into the mundane details of the surroundings (most notably a passage about a military base which doesn't quite click). The effect is that as if one of the characters in "Casablanca" stopped to balance their checkbook in the middle of a scene. There are other times, though, where the author adds greatly to the plot with well crafted inter-coital descriptions of the setting. Example: "The sun is a huge red ball, and seems to take forever to fall behind the horizon. This is the same sun I see every day, the same sun I see set on Lake Huron, and yet here it looks so different." The next Updike? Maybe not, but I would say that Jemma is on to something, stylewise. I hope to see more of her work. Rating: 7.5 "March Twenty-First" by Crimson Dragon . Guest review by Stephen Peters (sxjames@aol.com). This story opens with the protagonist (Lori) having left her lover (Heather) to return home to a cold and lonely apartment. Lori misses Heather something fierce -- she needs her lover's body badly, if for no other reason than to keep her warm on a cold and snowy winter's evening. Well, as luck would have it, as Lori drifts off to sleep she finds her heat (both kinds) by entering a phantasmagorical, druid-like dream world of chanting women, warm fire and cold stone. After a short, sexy encounter with a woman who is/isn't Heather, Lori can no longer contain her desire so she rushes back to Heather's apartment...and to a rather surprising ending to her night's adventure. This story idea has all the makings of an very entertaining read. The soft, semi-conscious realm between wakefulness and sleep is a great setting for a fantasy of this type, and the author did an admirable job as the tour guide. The various settings were well described, I was able to connect with Lori's distress, and the dreamlike atmosphere was sustained throughout. In particular, the transition between the cold apartment in winter and Lori's dream/fantasy world was startlingly good -- probably the best image in the piece. Unfortunately, the storytelling itself was marred by a writing style that kept me (the reader) from establishing a strong narrative voice. The repeated use of sentence fragments and single words to indicate Lori's thoughts kept my narrative 'head-voice' from achieving any sustained rhythmic flow. For this reader (and I should emphasize "this reader"), establishing that flow is crucial. More seriously, the ambiguous use of the pronoun 'she' in the paragraph that introduced the names of the dream characters had me associating "Akana" and "She-al" with the wrong people -- a very frustrating experience. Finally, as a reader I would liked to have seen a better-described sex scene between Lori and the dream women. The setting was all there, but the heat wasn't. >From a purely technical standpoint (grammar, spelling, punctuation) the story rates a ten -- I don't think I can take off points for the pronoun problem. Plot and character (or rather, the story idea itself) is this tale's strong suit -- again, a ten. For the above-mentioned reasons "appeal to reviewer" rates a six.... but understand that all my reviews come with this disclaimer: Numbers mean nothing without context -- read the damned review. Ratings for "March Twenty-First" Athena (technical quality): 10 Venus (plot & character): 10 Celeste (appeal to reviewer): 6 "Sleeping With Friends" by Unknown author. Guest review by BillyG. Remember how quickly romantic things happened in high school? Did you ever fall in love suddenly? With a person you'd been with just once? And wham! It happened? The intensity of the feelings, however transient they might have proven to be, in that glorious moment, argued for 'forever.' If you can recall that mind- bending emotion of overwhelming 'love,' you'll be able to get your head around this story. Or at least part of it. You see, this story is actually two stories, one having little to do emotionally with the other. Let me explain. The storyteller protagonist, Aaron, is a 17-year-old high school student who has the hots for his best friend James's twin sister, Jessica. Hanging out with them one night, Aaron is goaded by Jessica into telling about being with a naked girl and how he 'almost did it.' The author of this tale has Aaron tell a hot story, one which affects Jessica directly, for she retreats to her room to masturbate with a carrot and a banana. James nonchalantly informs Aaron that she likes to be watched and would he care to do just that? So far, this is shaping up to be a simple story of lets-watch-the-sister- masturbate. The intensity is turned up when Jessica, who has a history of 'doin' it with all the guys,' pulls our hero into bed to finish her off. Brother watches, beats off and then is asked to leave by sister. Yes, a little strange, but in uncomplicated voyeurism-exhibitionism stories, we don't hold out for an evolved plot. At this point, we're half-way through the story and it feels like it's ending. And it is, for the next chapter has a different feel. Our hero has fallen for the chick and is hopelessly and helplessly head-over-heels in love with Jessica. And, as it turns out, she is with him. Period. That's it. Sex story, voyeurism, and wham-bam over. Now it's love. The problem I have is the second chapter simply doesn't follow from the first. Read the first part. That's a fairly good stroke story. Skip the second; it just doesn't make it as anything. Ratings for "Sleeping With Friends" Athena (technical quality): 8 Venus (plot & character): 8 BillyG (appeal to reviewer): 9 for the first chapter and 5 for the second "All Night Long" by Unknown Author. Guest review by Sandman (sandman@bitsmart.com). This story takes a female convenience store clerk and has her pull the night shift. She's "young, vivacious, and perky" and is ignoring her parents' concerns about her working the graveyard shift. The second night on the job her store is held up by two armed robbers who submit her to a few paragraphs of terror before deciding that if all they're going to get from the heist is $40.00 then they'd better tie up the woman and cop a feel and get the hell out. After this a steady stream of people filter into the store, each and every one sexually assaulting the clerk. Thus the title; she is terrorized, victimized, and raped "All Night Long". The story is told from the store clerk's point of view which intensifies the terror and anguish. This story was written in a style that normally allows me to "fall into" the story. That is the grammar, punctuation, and the flow of the words is smooth and easy to read. The story however was so alien to my value systems that I found it impossible to read more than one or two sentences before finding myself back in the real world and thankful for it. This is not necessarily the fault of the story; perhaps it's the fault of the reviewer. In Venus I guess I'm going to wing it (I normally do that in Athena at least where punctuation is concerned, but I like to think I'm pretty good in Venus). The problem is the story IS the rape and the violence. In this manner it's not a story so much as a series of scenes. Therefore it should be rated on the quality of the sex (and I guess violence). So here there's two numbers. If you don't like rape and violence then Venus is a 4 (most of the assailants are stereotypical cardboard characters but Jennifer plays her part well). If this sort of thing turns you on Venus is a 10. Now we come to appeal. I initially declined to rate this in appeal to reviewer. Since I'm not in the target audience of this story I feel declining to put a number here would be better than giving it a zero (which to some people implies it is a bad story regardless of the other two numbers). It's my way of asking you, the reader, to decide for yourself if the subject interests you. Celeste really pushed for a number though, even if qualified. She pointed out that there must be other good stories I don't like -- the story of the crucifixion, "The Telltale Heart", by Poe, "Clockwork Orange" and here I believe she was referring to Stanley Kubrick's movie rather than the incredibly shallow book. As usual she makes a very good point. These examples, however, make a statement beyond the violence about life, society, or the human condition. "All Night Long" would be like "Clockwork Orange" showing only Alex's orgy of violence without the following commentary on society's tampering with the human mind and spirit. It would be like describing the crucifixion in exquisite detail, but only the crucifixion and none of the religious dogma before or after to explain why this travesty needed to happen. What we have with "All Night Long" is a story written to appeal to someone who glories in another person's suffering. In most violent stories or films there's a deliberate dehumanization of the victim, either by making the victim seem unworthy of caring for or simply not describing the victim well enough for the reader to make any judgments. Here though the victim is vividly described, her reactions are consistent with what we would expect those reactions to be, the story is even told from her perspective. The story is written in such a manner that the audience is expected to identify with the victim but the abuse which follows makes that extraordinarily hard. Once the reader identifies with the victim the abuse which follows also mentally happens to the reader. Therefore the appeal would only be to women who fantasize about being repeatedly and violently raped and to people who wallow in other people's suffering. I keep getting a disturbing image of a serial killer as he tortures his victim cursing the gods because he can only see his victim's reactions -- he doesn't REALLY know the victim is actually suffering. This story addresses that lack of knowledge. Here we KNOW the victim is suffering. I think the serial killer would be really happy with this story. There remains no appeal to me in this story. There is no redeeming message. It speaks to a target audience that I, thankfully, am not a part. I didn't like this story. It disturbs me that someone wrote it to begin with. It disturbs me further to realize there are people out there who will like it. Ratings for "All Night Long" Athena (technical quality): 10 Venus (plot & character): 4/10 Sandman (appeal to reviewer): -- * "Consuming Passion" by PleaseCain (pleasecain@aol.com). This a bizarre story. A really bizarre story. The guy lures women to his treehouse, where they expect to have passionate sex with him. Then he devours them - literally. But then he meets his match. You'll have to read the story to believe it. Parts of this story were very hot and sexy, but other parts were interesting because they were so unusual. Ratings for "Consuming Passion" Athena (technical quality): 10 Venus (plot & character): 10 Celeste (appeal to reviewer): 10 * "Stolen by Illusion" by Morgan Preece (morganpreece@anon.nymserver.com). I'm on a bit of a spree of really simple stories. This is another good one. It's not a whole story - just an anecdote about the time the narrator gave her virginity to her boyfriend who was on his way to Vietnam. The sex is not all that sexy, but it's very realistic and even touching. There's even a nice twist at the end - of the story, that is. Ratings for "Stolen by Illusion" Athena (technical quality): 10 Venus (plot & character): 10 Celeste (appeal to reviewer): 10 * "ekiN" by Morgan Preece (morganpreece@anon.nymserver.com). Since you may be wondering, I'll tell you that "ekiN" is "Nike" spelled backwards. As in "Just DO It" - the athletic clothing company. It's spelled backwards because the narrator first reads it in a mirror. I nodded sagely when the author explained this. I had already figured that part out. This story is very much like the previous one. It's sort of inspiring to know that thousands of a.s.s. readers are riding public transportation, developing plots for short stories about the people they see on public transportation. I imagine if you are the Chief Executive of a major industrialized nation you should refrain from such fantasies, or at least keep them very private until the end of your term in office. In this story the mysterious male at whom the narrator has stared emerges from oblivion and speaks to her. The actual sex content is low - all he does is tell her she's beautiful; but the innuendo level is very high. This is a very short but very good story. Ratings for "ekiN" Athena (technical quality): 10 Venus (plot & character): 10 Celeste (appeal to reviewer): 10 * "T'ANG JUNZI" by John Dark (john_dark@anon.nymserver.com). This was a later arrival for the Second Third Annual Celestial Short Story Contest. It wouldn't have won first prize, but it IS a very nice little story. Pear Blossom is a virgin in the household of the inscrutable and despotic Wang. She is shy and demure, and he likes her and asks her to visit him later. It's a little more complex than that, but you'll have to read the story for the details. Ratings for "T'ANG JUNZI" Athena (technical quality): 10 Venus (plot & character): 10 Celeste (appeal to reviewer): 10 GRAMMAR TIP OF THE WEEK: BREAKING THE RULES. Is it OK to split an infinitive? Should you use "my" or "me" as the "subject" of a gerund? Should I have said "one" instead of "you" in the sentence before this one? Is it proper to end a sentence with a preposition? Is it correct to begin a sentence with a conjunction? There are numerous "rules" to the English language. Actually, these rules are "conventions." Rules would be made by an official body - probably Congress or something analogous to a state board of education; and you can well imagine the idiocy with which we'd have to deal if groups like those made up our grammar rules. "Conventions" are the ways most people act. Miss Manners or some such goddess will tell you that it's "against the rules" to push food onto your fork with your fingers. She would also tell you that it's not proper to fart during sexual intercourse, except that it's also not conventional to talk in her newspaper column about farting or screwing, and so she has no way to talk to us about this topic. SHOULD you push food onto your fork with your finger? The real answer is that it depends. If you're dining with a genteel lady whom you wish to bed later that evening, you'd have to be a fool to do so - unless you thought this rakish gesture would lower her inhibitions. Likewise, if you were applying for a job in the diplomatic corps, I would think you'd prefer to act the way diplomats act. A very practical problem, however, is that if you habitually push food onto your fork with your fingers when you're alone or with your homies, you're likely to make mistakes when you want to do things properly. So your best bet is to use proper etiquette at all times. However, you could commit a serious faux pas by chasing a pea for three minutes while your future in-laws were employing less elegant eating habits. Your inclination to be proper could backfire, because the other people would think you were trying to point out their bad manners. As for farting during sex, that depends on whether it will run down your leg or not. It also depends on what will happen if you DON'T pass gas. This example is getting so interesting that I had better stop and get back on topic. And don't say "whether... or not." Just say "whether." Applied to English grammar, this means that grammar rules are there to help you communicate, not to reduce you to servitude. In general, it's best to know all the "rules" and to follow them. In most cases the rules will help you communicate more effectively. However, in some cases the rules can be counterproductive. For example, someone once told Winston Churchill not to end a sentence with a preposition. Churchill replied, "That's an outrage up with which I shall not put." What he was really saying was that as long as it made good sense to end the sentence with a preposition, he would go ahead and do so. In addition, rules change. When I was a child, we were taught to say "you will" and "he will" but "I shall." Nowadays nobody really cares, and "shall" is used mostly for emphasis. When I was in high school we learned to use the masculine singular pronoun and adjective when the gender of a person was uncertain or indefinite: "Each student should change his underpants at least once a month." Modern women tend to resent this rule, because it implies that men are somehow superior to women. When I was in college, I had a teacher who came down hard on us for beginning sentences with coordinating conjunctions. I eliminated them all - replacing "and" with "in addition" or "furthermore" and but with "however." But then one day I realized that this was silly. And so I went ahead and used my coordinating conjunctions whenever they seemed to help me express myself. Every modern grammar book I've checked now says it's OK to use coordinating conjunctions at the beginning of a sentence; but you should still not overdo the practice or use them when some other wording would be better. Here's the problem. We really have two goals (all right, we probably more than two goals) when writing: (1) to express ourselves and (2) to avoid evoking undesired reactions in our readers. That means that even though I might rightfully think it's OK to violate a "rule," my violation might have negative consequences; and therefore I should think twice before breaking that rule. In other words, if you wouldn't break rules of etiquette during a job interview, don't break rules of grammar in a job application letter. A large number of people who read and employ my grammar guidelines are college students or working people who write for ordinary people. In general, your goal in writing for these audiences will be to express yourself as clearly as possible, and usually your creativity or spontaneity is more important than grammatical correctness. These people probably won't know or care if you break a minor rule (but remember, breaking that minor rule might cause you to communicate less effectively). For example, your psychology prof or office manager is going to be pleased to know that you can discuss concepts with insight and enthusiasm and is not likely to care whether you used a comma or a semicolon between clauses - unless you use punctuation in such a way as to distract her. On the other hand, you have to be aware that there are people who do care about grammar and who react negatively to what they consider to be grammar mistakes. These are often non-sociopaths who have learned to express themselves clearly. They automatically spot and correct their own errors, and they tend to do this for others as well. If one of these people catches you making an error, your mistake could cost you - much as it would hurt you to use bad eating manners or to wear clothes that clash to a job interview. At the very least, it might cause that person to focus on something other than what you are really trying to say. The safest rule is always use proper grammar. If it sounds odd, then talk around it - reword the sentence so that the odd phraseology goes away. For example, Jill enjoyed me nibbling on her clit. {This is incorrect. The subject of a gerund is supposed to be in the possessive case. Actually, most readers wouldn't give a damn about this error.} Jill enjoyed my nibbling on her clit. {This is correct, and it sounds fine to most people. So if you can both write correctly and sound good, why not do so?} Jane enjoyed me and Bob nibbling on her clit. {This is incorrect. The subject of a gerund is supposed to be in the possessive case. But most readers wouldn't give a damn about this error.} Jane enjoyed Bob's and my nibbling on her clit. {This is correct, but it sounds awkward to many people.} Jane enjoyed the way Bob and I nibbled on her clit. {This avoids the problem by saying the same thing in a different way.} It's especially useful to avoid gender conflicts in pronoun references. Some people want you to use "gender free" language, while others think you are being superficial or "politically correct" if you do so. In addition, some of the circumlocutions that people employ to be gender free are just plain cumbersome. The easiest way around this problem is to avoid "he" and "she" by writing in the plural or in the second or third person. Each student should change his underpants at least once a month. {The "his" seems to suggest that the statement refers only to males.} Each student should change his or her underpants at least once a month. {This is fine; but if there were a large number of sentences like this, the constant repetition of "his or her" would become annoying.} Each student should change their underpants at least once a month. {A growing number of English experts will accept this "indefinite singular" use of "they." However, many others will not, and you may not know how your readers will react. The best solution is to use one of the following strategies to avoid the problem entirely.} All students should change their underpants at least once a month. {This avoids the problem by making the subject plural.} We should change our underpants at least once a month. {This avoids the problem by using "we" and "our," which do not differentiate by gender.} Change your underpants at least once a month. {This avoids the problem by using "you" and "your," which do not differentiate by gender.} In practice, you might have to write one way for your English teacher and for people who focus on grammatical correctness and another way for people who don't care. But whatever you do, change your underpants more than once a month. -- +--------------' Story submission `-+-' Moderator contact `------------+ | story-submit@qz.little-neck.ny.us | story-admin@qz.little-neck.ny.us |