Message-ID: <4744eli$9710091421@qz.little-neck.ny.us> X-Archived-At: From: David Abuhove Subject: The Juvenile Casting Couch #10 (D.Abby) (no sex) (10!12) Newsgroups: alt.sex.stories.moderated,alt.sex.stories Followup-To: alt.sex.stories.d MIME-Version: 1.0 Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=us-ascii Path: qz!not-for-mail Organization: The Committee To Thwart Spam Approved: X-Moderator-Contact: Eli the Bearded X-Story-Submission: X-Original-Message-ID: <343CFFA9.2A9@access.mountain.net> The Juvenile Casting Couch #10 (D.Abby) (no sex) (10!12) The following story is for adults only. It contains scenes depicting sex among minor children and, between minors and adults. It is entirely a work of fiction and the characters contained within are completely the figment of the authors imagination. (they do sometimes embody his fantasies, however.) If sexual activities among just pubescent children bother you, or sexual activity between just pubescent children and adults, I suggest you hit the back button. Please do not read this if you are under the age of 18 or if it is illegal in your community. (Can't you just see a horny twelve year old zipping up his pants and hitting the back button at this point. I should live so long.) Copyrighted 1997 by the author. Permission is granted to re-post this in any non profit archive, home page, news group, or bbs. Please do not change it if you repost I spent many hours working on this and it says what I want it to say. If you haven't hit the back button yet, enjoy. I would like to have your opinions of my work and, and while I don't promise, I usually try to answer my e-mail. Dabby@access.mountain.net THE JUVENILE CASTING COUCH By D. Abby Chapter - 10 The Oscars came. The Movie swept up every Oscar that fitted the category. A major surprise was that Pat didn't win best child actor, he won best actor. Sue took best actress. The picture took both best supporting actress and actor. In addition there was best production, best script, best directing, best editing, and even the best score. Pat had another round of notoriety that he didn't like but handled rather well. He still made an appearance each month on a talk show. His love life was centered on Shirley but it wasn't exclusive by any means. He continued with Sarah and had occasional meetings with Sue and Alice. In late spring they got a call from Johnny. Could they have a meeting after school the next day. He had about five offers for the summer movie. He had one that wasn't the best money offer by far, but it was the most interesting one. The screenplay was better than any of the others. Most of the scripts were bad copies of the movie Pat had starred in. This one was sort of a family situation comedy. There were allusions to sex, of course, but without any of the moral questions raised in Pat's previous film. This wouldn't be the world beater his last one had been but it was a solid script. There were other things that might interest them about it too. Pat and Sean arrived at Johnny's office and found Sue waiting for them. She was interested, it would be a change of pace for her. Her last five movies had all been heavy dramatic productions. This one was light, something on the order of the old play Kiss and Tell. The same team was producing it and Dick was scheduled to direct. Pat was offered a million dollars, but not as good a bonus clause as the last one. Dick and Sue both insisted that Sean be the principle writer. Was Sean free? Were they interested? Pat beamed. He wouldn't have to do some of the things that he did in that last one. He would be playing with Sue again and that was marvelous. Sean wanted to see the script first. No problem, he could take it home, read it through, and let them know by the end of the week. Sue had read the script and thought it was a good start but Sean, with the help of Pat's natural sense of a twelve year olds reactions, could make it great. Sean took two copies of the script so Pat could read it too. They got home and each of them sat down in the family room and started to read. They were so buried in the script that Robin had to turn out the light in the family room to get them to stop reading and eat dinner. They had dinner and both of them returned to reading the script. Sean finished first and agreed with Sue's appraisal. It did need some touching up. He waited for Pat to finish reading it. Pat was mumbling to himself as he got to the end. "All right, Pat, what's the matter. Let's see if we come up with the same problems." "Gee, dad, I like the story, but Kenny doesn't act right half the time." "Well so far we're in agreement, although I didn't think it was that bad. I thought only about ten percent of his lines didn't ring true. What do you think we have to do with it." "Gosh, I know how some things should change to make them right, but some things just don't sound right and I don't know what's wrong with them either. I'd like to try what I did with Sue on the other movie, but, it wouldn't be just Sue and me. We'd have to have Kenny's father and the boy and girl next door in on it too. It'll be harder to handle that the last one was." "I'll call Sue. When she's on the line, you get on the extension and we'll see what she has to say." Pat went to the kitchen extension and Sean got Sue on her private number right away. "Well, what do you think?" "I like it but Pat has some reservations." "Good, I was hoping he would." "He doesn't think he can handle the problems just working with the script. He's on the line and wants to talk to you." "Fine, what's the problem, Pat?" "Well, Sue, remember how we would do a scene and I would feel what was right or wrong?" "Sure, we did more improvisation with that script than I've done in years. You mean, just reading the script, you know something's wrong but you don't know how to correct it?" "Uh, yeh, I guess that's what I'm trying to say." "Whoopy, Pat, I love you! I was hoping you'd say something like that. I'm going to have fun doing this movie. We have a real cast of professionals set for this show. Let me get in touch with Dick. I'm going to see if we can have a week or two before shooting where all the leads get together and we work our way through the whole script and rewrite it as we go. "It's mostly the cast from the last movie. I'm to be your mother this time, and Frank Morris plays your father. Alice will be the girl next door and Buddy Chance is her brother. That's the five major parts. We'll have Dick there and I bet we can work through it in less than two weeks and your father can have the script done in a week or two more." Sue went to work and it was settled before the end of the week. As soon as school let out they were to go to a small nearby resort and hold a workshop until they had the lines the way they wanted them. Shooting would start about two weeks into July and they should be able to finish up before School started again. Everybody was enthusiastic. Alice called and told Pat that she'd always felt left out when Pat and Sue had done scenes together in the last movie. Buddy called and said how glad he was to do that improvisation thing. He'd done a few scenes in some of his movies that way and it was always fun. He'd hung around the set of that last movie and thought it was marvelous how Sue and Pat did it. Frank called and added his endorsement. The last week Pat managed an afternoon with Shirley in her garage. He also spent a half hour with Sarah on Thursday afternoon. He jerked off a couple of times with David over the graphics and David told Pat all about seeing Sarah in the shower again. Pat had a problem and he wanted to get his father alone. It wasn't until the day before school closed that Robin was out doing some shopping for clothes as she was going with her family on the workshop. "Dad?" "Uh, oh, yes, Pat, what is it? I recognize that question mark after my name." "Uh, dad, this is embarrassing again but I guess I have to talk about it." "I gathered as much. You waited till you mother wasn't here." "You know that scene where Kenny sees Janice through the window?" "Yes, I sure do. I think it's pretty cute." "Dad, it's not right at all." "Oh, no, don't tell me. 'That's not the way it would happen.'" "Well, it wouldn't." "Uh, oh, Sarah's room is right opposite yours and she doesn't close the drapes at night. You've been watching Sarah get undressed. Or am I getting too personal. This time it's obvious, I can't pretend I don't know. I won't ask you what you've been doing since you lost that job with Ms. Wollenski." Pat looked at his father in astonishment. His dad knew more than he suspected but had never let on. "Uh, I guess you're right. But that's not the whole problem." "All right, out with it. I promise you I won't be shocked, although you mother might be. Somehow I doubt she would either." "Well, Sarah knows I watch. Uh, I let her see me too. If we make it too real she'll recognize the situation." "Ah, the plot thickens. Do you want to tell me everything?" "It'll be embarrassing but I guess I better. Maybe you'll know how to handle it." Pat told his father most of the story. He left out the part about lapping Sarah's cunt and her sucking his cock. He wanted to leave out the fact that he jerked off and she finger fucked herself but he didn't. He blushed and stammered when he got to that part of it but made himself go through with it. "So, since then, every night at nine o'clock we get undressed with our shades up. Then I, uh, oh, hell, I play with myself until she sees the stuff come out and she pushes her finger in and out between her legs until her hips jerk. Oooo! Am I glad that's over!" "Pat, don't you think I know you masturbate?" "Uh, I guess so, I just never thought about your knowing." "Don't you think I had glasses when I was your age and peeked through windows?" "Gee, I never thought about it. Did you?" "You're damn right. I was just as normal a boy as you are. When I saw some girl in her underwear with those glasses, I jerked off. When I heard my mother and father doing things I jerked off. Just like you, I jerked off for any reason I could find. If there had been a girl in the next house willing to do what Sarah's doing, I would have done the same thing you do. The only problem we have is to make it natural and a little less than it actually is." "Dad, you jerked off when you heard your parents do things too?" "Sure, your mother and I never tried to keep quiet when we're having sex. If you didn't know what was going on, no harm was done. If you did and were listening we figured you could use your imagination and have a good time." Pat sat and stared at his father in astonishment then he jumped up, ran over, and hugged his father. "I love you. Uh, does mom know I listen too?" "Of course. She's not naive. I think she knows what goes on between you and Sue too." Pat blushed at this additional information his father was privy too. "Uh, dad, What else do you know?" This time Sean hugged Pat. "Nothing for sure, except I saw Sue leaving your bedroom that Saturday night. It didn't take much imagination to guess what had been going on. She said you'd told her to 'put up or shut up'. However, I can make a lot of good guesses. "You have done more with Sarah than you told me about. You're not doing anything with Ms. Wollenski but I suspect you're doing something with Shirley and Ms. Wollenski knows about it. I usually get your mother out of the way for a couple of hours when Alice visits you and, interestingly enough, your mother never has any objections. If you have anything else going, I don't know about it. What's more I don't know how you manage everything you have going already. I couldn't have when I was your age." Pat looked at his father in awe. "You know everything!" "Not everything, Pat, those are deductions not the results of spying. I'm a writer, I make my living by being observant. I think enough of you to observe you pretty closely. Now, back to our problem. Do you think you could go before the camera for a silhouette shot of you in the nude?" Pat tilted his head and thought for a moment, "Well, I guess so, if they cleared the set." "That sort of shot is always done on a clear set, but you know that there are still some people present. At any rate suppose we change the scene like this. You come into your bedroom. You start to undress, realize the light's on and turn it off before you finish undressing. A light from an unknown source comes in the bedroom window. You go to the window, your back is to the camera. You stand there for a minute or so then put you hands in front of you and your hips move back and forth. The light goes out and you jump in your bed and the springs squeak. Do you think you could manage it that way. It's a lot better than the current script." Pat ruminated for a few moments, "I guess so. It's no worse that what I did last time. At least this isn't as serious as that was. I guess its even funny. Uh, why do I think it's funny, dad?" "Pat, I love you for seeing the humor of it at your age. It is humorous because it's so natural. Most men, even adults, would do the same thing but they'd be embarrassed if anyone knew it. Few men would admit they masturbated when they spied a nude girl in a window. That's the surest formula for humor. It'll bring the house down." Sean and Pat had two weeks to work over the script before school was over. They collaborated and did some more scene doctoring but Pat became less and less satisfied as they got past the changes that were obvious to him. They were all glad when school let out. -- +--------------' Story submission `-+-' Moderator contact `------------+ | story-submit@qz.little-neck.ny.us | story-admin@qz.little-neck.ny.us | | Archive site +--------------------+------------------+ Newsgroup FAQ | \ .../assm/faq.html> /